CAROL DODA – TOPLESS AT THE CONDOR is a feature-length documentary set in San Francisco in 1964 when Carol Doda became the first dancer to go topless in the nation. Wearing fashion designer Rudi Gernreich’s monokini, she performed on top of a white baby grand piano that descended from the ceiling of the Condor Club in North Beach. She then embarked on experimental silicone injections that increased her bust line from 32” to 44”. Her act soon became a tourist attraction second only to the Golden Gate Bridge and launched a heated debate around what constituted indecent exposure in a public setting. The ensuing arrests and trials paved the way for a sexual revolution. This movie explores both empowerment and exploitation in adult entertainment and challenges cultural ideas around nudity.
CAROL DODA – TOPLESS AT THE CONDOR is partially based on the book Three Nights at the Condor by Benita Mattioli wife of former Condor Club owner Pete Mattioli who he based the material on.
Director / Writer / Producer
Jonathan Parker is a writer, director, producer, musician and composer based in San Rafael, CA. He received a BA degree in English from Stanford and began his career as a musician, performing in indie rock bands and the Marin Symphony. He turned to filmmaking after he and fellow band members self-directed a music video that attracted attention from Hollywood.
Director /Writer / Producer / Director of Photography
Marlo McKenzie grew up in Metro Detroit. She’s studied language in France, worked in theater in Germany, and co-founded a video production company that trained formerly homeless youth in Australia. Now based in the San Francisco Bay Area she is thrilled to be partnered with Jonathan Parker to co-direct the documentary film CAROL DODA TOPLESS AT THE CONDOR. She is also directing a documentary about imaginative play, called MY SECRET COUNTRY. Previously she edited, co-wrote and produced the documentary BUTTERFLY TOWN, USA now airing on PBS stations. She also associate produced the four-part documentary series called, STANDING ON SACRED GROUND.
Producer
Lars is a Danish drummer and one of the founding members of Metallica. He is passionate about independent film and devoted to his adopted home of San Francisco. His love for Jonathan Parker’s film (UNTITLED), led him to form a relationship with the director and the two realized their mutual interest in partnering together on BOOM and CAROL DODA TOPLESS AT THE CONDOR.
Producer
Vincent is a producer for BOOM and CAROL DODA TOPLESS AT THE CONDOR.
Associate Producer
Rick has decades of experience as a producer and an entertainment attorney. For the last several years, he has served as Sr. VP of Business and Legal Affairs for Radar Pictures, the successor company to Interscope Communications known for a myriad of critically acclaimed and box office successes such as THE LAST SAMURI, MR. HOLLAND’S OPUS CONKTAIL and several that have gone into remakes or sequels under Rick’s tenure, including the JUMANJI reboot. He is thrilled to not only be a participant in TOPLESS AT THE CONDOR, providing his first hand experience with Carol Doda, but also to offer his unique blend of skills.
Story Editor/New Doc Editing
Karen Everett is one of the world’s leading documentary story consultants. Author of Documentary Editing, Karen taught editing for 18 years at the Graduate School of Journalism at UC Berkeley, named the #1 documentary program by Documentary Magazine.
Editor
Jennifer is a gifted editor with an intuitive sense of visual storytelling. She finds the diamonds in the rough of your material and
shapes it into a fast paced narrative. She’s edited numerous projects across documentary and fiction and has won many awards for her work. The
documentary she edited immediately prior to editing “Topless at the Condor: The Carol Doda Story” will be on PBS in 2023.
Archival Producer
Sub-Basement Archival brings together their considerable and complementary strengths – honed for 15 years in documentary production. Since its founding in 2014, Sub-Basement has had the honor of working on award-winning documentaries on a wide range of social and political topics. Sub-Basement films have aired on public television, network television and Netflix, screened at Sundance and festivals worldwide, and garnered three FOCAL Awards for use of archival footage.
Archival Producer
Sub-Basement Archival brings together their considerable and complementary strengths – honed for 15 years in documentary production. Since its founding in 2014, Sub-Basement has had the honor of working on award-winning documentaries on a wide range of social and political topics. Sub-Basement films have aired on public television, network television and Netflix, screened at Sundance and festivals worldwide, and garnered three FOCAL Awards for use of archival footage.
Produced, written and directed by:
Jonathan Parker and Marlo Mckenzie
Producers:
Lars Ulrich
Vince Palomino
Executive Producer:
Richard Morse
Editor:
Jennifer Mayer
Story Editor:
Karen Everett – New Doc Editing
Composer of Original Music
Jack Douglas
Band:
Jack D’s Band of Thieves
Sound Mix Consultant
Richard Beggs
Music Supervision
Jonathan Parker
Director of Photography:
Marlo McKenzie
Patrick Fogarty
Archival Producers:
Jen Petrucelli
Rachel Antell
Webmaster:
Beth Worthy Femino